Grizzly Bear - Ready, Able
via alisson schulnik
Showing posts with label music video. Show all posts
Showing posts with label music video. Show all posts
Tuesday, January 12, 2010
Tuesday, March 3, 2009
Thursday, November 27, 2008
Friday, October 10, 2008
Bomb the Bass - Butterfingers
Bomb the Bass Ft. Fujiya and Miyagi
Future Chaos album 2008
www.myspace.com/bombthebass
Directed by Perish Factory
www.perishfactory.com
Latinsizer / Celofán - (Nortec Collective/Fussible member)
www.latinsizer.com
www.myspace.com/latinsizer
Music by Latinsizer @ 2007
Video by Sergio Brown / Pepe Mogt
music made with MS-20, Drumulator, dr-110, Xpander and Four Voice Oberheim.
In this project Pepe Mogt works with a very synthetic and basic set of musical tools to create a quirky approach to electronic music exemplified by "Ritmo 55", the first track released by Latinsizer which appeared on the Nortec Experimental CD. This approach could be described as a combination of the melodic work of early synth Pop classics such as Eno-era Roxy Music and Switched on Bach, modular synth based artists like Tangerine Dream and the grit of urban Tijuana, Latinsizer "live at MUtek.mx CD" has a more noise dance oriented aproach without loosing his analog roots
Latinsizer becomes an alternate project to Nortec, and particularly, to Fussible, recently playing at experimental and dance music festivals like Mutek or Decibel, currently is working on his new album and EP, Celofán is a video of his latest works.
MS-20
The MS-20 was one of Korg's first major successful portable analog monosynths and even today it is still a great little machine! The MS-20 is the big brother to the MS-10. It is an analog two-oscillator monophonic lead and bass synth with hard wired and patchable connections. The hard-wiring can be overridden however, using patch-cords. This type of hard-wired but patchable design was similar to the ARP 2600 of the late seventies. Of course the 2600 was much bigger and better. But the MS-20 offered a lot of flexible control and great sounds at a more affordable price.
In addition to two analog oscillators, the MS-20 featured two resonant VCF filters, two VCAs, sample and hold, a noise generator, an assignable mod-wheel and lots of knobs! The VCF filter section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. External sound sources can be routed through the filter section as well. In fact William Ørbit uses the filter in his MS-20 relentlessly to filter and tweak his samples, beats, delay returns, vocals, etc.
As for its sounds, the MS-20 sounds great! It makes a great alternative for Minimoog-seekers. The MS-20 is great for just about any type of analog synth sound you could want! Fat round bass sounds, percussive bass or sounds, noise effects, squiggly-bubbly sounds or sinuous-worm leads are all waiting to be unleashed from inside this classic beast. The MS-20 is not only a great sounding instrument, but a great learning-synth. It is fairly easy and intuitive to operate but in doing so you can learn and understand more about synthesis and signal-flow. It is used by William Ørbit, Aphex Twin, Hardfloor, Air, SkyLab, Stereolab, Vince Clarke, Astral Projection, Biosphere, Apollo 440, Mr. Oizo, Jimi Tenor, The Prodigy, OMD, Freddy Fresh, Luke Vibert, Einstuerzende Neubauten, Add N to (X), Daft Punk, Coldcut, Die Krupps, Skinny Puppy, Electronic Dream Planet, Jimmy Edgar, Front 242, Front Line Assembly, The Legendary Pink Dots, KMFDM, Severed Heads, Royksopp, The Faint, The Shamen, Jean-Michel Jarre, and Portishead.
FOUR VOICE / Oberheim
A big step forward after the initial Oberheim SEM and Two Voice synthesizers came from the bigger and better Four Voice. Four dual-oscillator SEM modules each with its own filters and envelopes are joined together along with a simple analog mixer and 49-note keyboard to give you a polyphonic/polytonal Obie-beast!
Unfortunately the Four Voice was blown out of the competition by the release of the polyphonic Sequential Prophet-5, which offered true polyphony with a single set of sound shaping controls and comprehensive patch memory. The Four Voice has been used by 808 State, Depeche Mode, Latinsizer, Styx, The Shamen, Gary Wright, Joe Zawinul and John Carpenter.
Saturday, September 13, 2008
Monday, September 8, 2008
M.A.Y.O. = mind.all.your.outsides
M.A.Y.O. is a creative duo creating music videos and short films. They are Dan Scott Goldstein and Priya Sanghvi.
"Bathtub" Short Film
"Bathtub" Short Film from M.A.Y.O. on Vimeo.
Saturday Looks Good To Me "Money In The Afterlife" Music Video
Saturday Looks Good To Me "Money In The Afterlife" Music Video from M.A.Y.O. on Vimeo.
"Bathtub" Short Film
"Bathtub" Short Film from M.A.Y.O. on Vimeo.
Saturday Looks Good To Me "Money In The Afterlife" Music Video
Saturday Looks Good To Me "Money In The Afterlife" Music Video from M.A.Y.O. on Vimeo.
Sunday, August 31, 2008
Who Da Funk - Shiny Disco Ball
suddenly... i just miss this song after 4 days straight of party eventhough there wasn't any disco ball... but this song just came into the mind and can't get out!!!
Friday, August 22, 2008
The Verve - Love Is Noise
the new single by the verve... i thought they're supposed to be disband? well, wateva i still love their sound
Tuesday, July 22, 2008
Tom Vek
C-C (You Set The Fire In Me)
Changed My Mind
Nothing But Green Lights
Bio
London's eclectic one-man band Tom Vek combines electronic music with indie rock, punk with dance, and influences like new wave and garage (and also made most of his early recordings in his parents' garage, too). However, as a teen in the mid-'90s, Vek was inspired by grunge and began making rock along the lines of Smashing Pumpkins and Pearl Jam; before that, he backed his guitarist father on bass and drums in their practice space/garage. When his family acquired a reel-to-reel tape recorder when he was 14, Vek began recording his music, which evolved from grungy rock to Warp- and Ninja Tune-influenced electronica as the '90s came to a close. Vek had been sending his music to a friend of the family (who happened to be Alex Cooper, the longtime drummer for Katrina & the Waves) who in turn sent Vek's latest, electronica-inspired music to his cousin (who happened to be Tim Lee, the head of quirky electronic label Tummy Touch).
bio via allmusic
Changed My Mind
Nothing But Green Lights
Bio
London's eclectic one-man band Tom Vek combines electronic music with indie rock, punk with dance, and influences like new wave and garage (and also made most of his early recordings in his parents' garage, too). However, as a teen in the mid-'90s, Vek was inspired by grunge and began making rock along the lines of Smashing Pumpkins and Pearl Jam; before that, he backed his guitarist father on bass and drums in their practice space/garage. When his family acquired a reel-to-reel tape recorder when he was 14, Vek began recording his music, which evolved from grungy rock to Warp- and Ninja Tune-influenced electronica as the '90s came to a close. Vek had been sending his music to a friend of the family (who happened to be Alex Cooper, the longtime drummer for Katrina & the Waves) who in turn sent Vek's latest, electronica-inspired music to his cousin (who happened to be Tim Lee, the head of quirky electronic label Tummy Touch).
bio via allmusic
HGich.T - Tutenchamun
Hamburg avant-garde: HGich.T - condemned ear worm and condemns far in front! Discovered during the annual exhibition that Hamburg university for screen end of arts. One may not miss: Mad Live performance!
via rebelart
this is so freakin funny!!! funny german... funny german lyrics... funny german rap... wahahhahaha
Patrick Wolf
The Magic Position
The Childcatcher
To The Lighthouse
Bluebells
Wind In The Wires
Tristan
Bio
Violinist/singer/songwriter Patrick Wolf began experimenting with sound at the age of 11. While his peers were exploring the frivolity of youth, the precocious preteen was dabbling in four-track recording, eventually building an arsenal of instruments that included junk-shop organs and a home-built theremin. At the age of 14 he joined the pop-art collective Minty, a venture that caught the eyes and ears of Fat Cat Records, which went on to supply the youth with a computer and mixing tools for aid in his newfound audio experimentation. He left home at the age of 16 and formed Maison Crimineaux, which eventually found its way to France, where the noisy duo played a show attended by electronic maestro Kristian Robinson (aka Capitol K), who went on to release Wolf's lauded 2003 debut. With Lycanthropy reaching number 39 in NME's top LPs of the year, as well as receiving critical acclaim throughout Europe and America, Wolf decided to study composition at the Trinity College Music Conservatoire. The results of that endeavor can be heard on his 2005 release Wind in the Wires, a dark collection of moody British folk and chamber pop with a chilly laptop sheen. Wolf returned in 2007 with the colorful and eclectic Magic Position.
bio via allmusic
The Childcatcher
To The Lighthouse
Bluebells
Wind In The Wires
Tristan
Bio
Violinist/singer/songwriter Patrick Wolf began experimenting with sound at the age of 11. While his peers were exploring the frivolity of youth, the precocious preteen was dabbling in four-track recording, eventually building an arsenal of instruments that included junk-shop organs and a home-built theremin. At the age of 14 he joined the pop-art collective Minty, a venture that caught the eyes and ears of Fat Cat Records, which went on to supply the youth with a computer and mixing tools for aid in his newfound audio experimentation. He left home at the age of 16 and formed Maison Crimineaux, which eventually found its way to France, where the noisy duo played a show attended by electronic maestro Kristian Robinson (aka Capitol K), who went on to release Wolf's lauded 2003 debut. With Lycanthropy reaching number 39 in NME's top LPs of the year, as well as receiving critical acclaim throughout Europe and America, Wolf decided to study composition at the Trinity College Music Conservatoire. The results of that endeavor can be heard on his 2005 release Wind in the Wires, a dark collection of moody British folk and chamber pop with a chilly laptop sheen. Wolf returned in 2007 with the colorful and eclectic Magic Position.
bio via allmusic
Grinderman
Honey Bee (Let's Fly To Mars) -Treacle Sessions
When My Love Comes Down - Treacle Sessions
check out their official website its realleee realleee cool...
Bio
While Nick Cave's music has evolved from the harrowing post-punk wail of the Birthday Party to the eloquent and often poetic approach he explored on the albums The Boatman's Call and No More Shall We Part with his group the Bad Seeds, the trouble-making noise merchant of his youth has never entirely gone away, and in 2006 Cave founded Grinderman to give this side of his musical personality a new outlet. Grinderman came to be when Cave was writing material in 2004 for his acclaimed album Abattoir Blues/The Lyre of Orpheus. Tired of writing in his office at home and then presenting the material to the Bad Seeds, Cave decided to try a new approach by teaming up with bandmembers Martyn Casey on bass, Warren Ellis on violin and guitar, and Jim Sclavunos on drums and working up songs as a group.
bio via allmusic
When My Love Comes Down - Treacle Sessions
check out their official website its realleee realleee cool...
Bio
While Nick Cave's music has evolved from the harrowing post-punk wail of the Birthday Party to the eloquent and often poetic approach he explored on the albums The Boatman's Call and No More Shall We Part with his group the Bad Seeds, the trouble-making noise merchant of his youth has never entirely gone away, and in 2006 Cave founded Grinderman to give this side of his musical personality a new outlet. Grinderman came to be when Cave was writing material in 2004 for his acclaimed album Abattoir Blues/The Lyre of Orpheus. Tired of writing in his office at home and then presenting the material to the Bad Seeds, Cave decided to try a new approach by teaming up with bandmembers Martyn Casey on bass, Warren Ellis on violin and guitar, and Jim Sclavunos on drums and working up songs as a group.
bio via allmusic
Love of Diagrams
Pyramid
No Way Out
Bio
A trio with a fiery, angular sound that recalls post-punk greats like Siouxsie and the Banshees and Pylon, the Melbourne, Australia-based trio Love of Diagrams feature vocalist/bassist Antonia Sellbach, guitarist/vocalist Luke Horton, and drummer Monika Fikerle (who also played with the Bites, Sea Scouts, the Grimm, and Jihad Against America). After forming in 2001, Love of Diagrams made a name for themselves with their kinetic live act and consistent touring, supporting Sonic Youth, Electrelane, the Rogers Sisters, Stereolab, and other like-minded bands.
bio via allmusic
No Way Out
Bio
A trio with a fiery, angular sound that recalls post-punk greats like Siouxsie and the Banshees and Pylon, the Melbourne, Australia-based trio Love of Diagrams feature vocalist/bassist Antonia Sellbach, guitarist/vocalist Luke Horton, and drummer Monika Fikerle (who also played with the Bites, Sea Scouts, the Grimm, and Jihad Against America). After forming in 2001, Love of Diagrams made a name for themselves with their kinetic live act and consistent touring, supporting Sonic Youth, Electrelane, the Rogers Sisters, Stereolab, and other like-minded bands.
bio via allmusic
Midnight Movies
Persimmon Tree
Patient Eye
Oh Twilight
check out her voice... it's really nice & dark...
Bio
Midnight Movies formed in Los Angeles in 2002. Comprised of Gena Olivier (vocals, drums), Larry Schemel (guitar), and Jason Hammons (keyboards, guitar), the indie rock trio quickly crafted a moody and stylish sound. They became a major face on the L.A. music scene within a year, and earned a nomination for Best New Artist at the L.A. Weekly Music Awards in May 2003. Just as their self-released six-song EP arrived, Midnight Movies received another nomination for Best Pop/Rock band in spring 2004. Midnight Movies' self-titled studio-length debut was released on Emperor Norton the following August. The group resurfaced in 2007 with Lion the Girl, which featured new bassist Ryan Wood and drummer Sandra Vu, with Olivier handling keyboard and vocal duties and production by Steve Fisk.
bio via allmusic
Patient Eye
Oh Twilight
check out her voice... it's really nice & dark...
Bio
Midnight Movies formed in Los Angeles in 2002. Comprised of Gena Olivier (vocals, drums), Larry Schemel (guitar), and Jason Hammons (keyboards, guitar), the indie rock trio quickly crafted a moody and stylish sound. They became a major face on the L.A. music scene within a year, and earned a nomination for Best New Artist at the L.A. Weekly Music Awards in May 2003. Just as their self-released six-song EP arrived, Midnight Movies received another nomination for Best Pop/Rock band in spring 2004. Midnight Movies' self-titled studio-length debut was released on Emperor Norton the following August. The group resurfaced in 2007 with Lion the Girl, which featured new bassist Ryan Wood and drummer Sandra Vu, with Olivier handling keyboard and vocal duties and production by Steve Fisk.
bio via allmusic
Wednesday, June 11, 2008
Weezer - Pork and Beans
a totally you tube-d video by weezer... juz see how many video clips can you identify! funny or rather, amusing~
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