First Look: A New Film From Invader

SPACE INVADER #763
by extermitent

via woostercollective

Zach Johnsen

Metronomy - A Thing For Me

Fever Ray 'If I Had A Heart'

First video from Fever Ray's self titled debut album

magic pen that writes in Helvetica?!~

Ahhhh… technology. The geniuses at Plexifilm have spent the past two years developing a Sharpie pen that actually writes in Helvetica! This pen is so experimental that it’s priceless… literally. You can’t buy one, but you can get one free with any Helvetica merchandise purchase (DVD, T-shirt, etc.). Get your free pen while they last. It’s a great gift for that person in your life with sloppy handwriting…


* Warning: if you are John Downer or Marian Bantjes then the pen will actually write in Helvetica. Otherwise, your results may vary. Do not swallow. Keep away from open flame and co-workers. May cause drowsiness.

via objectifiedfilm

In the Realms of the Unreal

Henry Joseph Darger (April 12[?], 1892April 13, 1973) was a reclusive American writer and artist who worked as a janitor in Chicago, Illinois.[1] He has become famous for his posthumously discovered 15,145-page, single-spaced fantasy manuscript called The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, along with several hundred drawings and watercolor paintings illustrating the story.[2] Darger's work has become one of the most celebrated examples of outsider art.
-wiki

Pinback - Fortress

Akay - one hell of a kind of street artist

The Box from mudlevel on Vimeo.

this first video you can see how much trouble he goes through just to get some money back... well basically he's so freakin good at duplicating... so real he can get through the system...


The Machine from mudlevel on Vimeo.

in this video... he just did a whole installation at a railway station... oh my god... how did he did tat... and it's sooo cute... and cool~


via rebelart

visible sound sewing machine by sounds butter

the interactive design group sounds butter wanted to create a new way to make sound visible. while things like equalizers and sub-titles already visualize sound, they sought to find a way to make sound physical.
using an old sewing machine as a basis, they conceptualized a prototype, which would take sound input and convert it into a sound wave of thread on textile. the sewing machine is synonymous with producing products in industry and thus served as a fitting analogy for the project.

http://www.soundsbutter.com



via designboom

grandma tagger!

oh my god!!! look!!! it's a grandma tagger!!! wonder who's her little grandchildren...


via rebelart

Bomb the Bass - Butterfingers

Bomb the Bass Ft. Fujiya and Miyagi
Future Chaos album 2008
www.myspace.com/bombthebass
Directed by Perish Factory
www.perishfactory.com

Latinsizer / Celofán - (Nortec Collective/Fussible member)

www.latinsizer.com
www.myspace.com/latinsizer

Music by Latinsizer @ 2007
Video by Sergio Brown / Pepe Mogt

music made with MS-20, Drumulator, dr-110, Xpander and Four Voice Oberheim.

In this project Pepe Mogt works with a very synthetic and basic set of musical tools to create a quirky approach to electronic music exemplified by "Ritmo 55", the first track released by Latinsizer which appeared on the Nortec Experimental CD. This approach could be described as a combination of the melodic work of early synth Pop classics such as Eno-era Roxy Music and Switched on Bach, modular synth based artists like Tangerine Dream and the grit of urban Tijuana, Latinsizer "live at MUtek.mx CD" has a more noise dance oriented aproach without loosing his analog roots

Latinsizer becomes an alternate project to Nortec, and particularly, to Fussible, recently playing at experimental and dance music festivals like Mutek or Decibel, currently is working on his new album and EP, Celofán is a video of his latest works.

MS-20
The MS-20 was one of Korg's first major successful portable analog monosynths and even today it is still a great little machine! The MS-20 is the big brother to the MS-10. It is an analog two-oscillator monophonic lead and bass synth with hard wired and patchable connections. The hard-wiring can be overridden however, using patch-cords. This type of hard-wired but patchable design was similar to the ARP 2600 of the late seventies. Of course the 2600 was much bigger and better. But the MS-20 offered a lot of flexible control and great sounds at a more affordable price.

In addition to two analog oscillators, the MS-20 featured two resonant VCF filters, two VCAs, sample and hold, a noise generator, an assignable mod-wheel and lots of knobs! The VCF filter section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. External sound sources can be routed through the filter section as well. In fact William Ørbit uses the filter in his MS-20 relentlessly to filter and tweak his samples, beats, delay returns, vocals, etc.
As for its sounds, the MS-20 sounds great! It makes a great alternative for Minimoog-seekers. The MS-20 is great for just about any type of analog synth sound you could want! Fat round bass sounds, percussive bass or sounds, noise effects, squiggly-bubbly sounds or sinuous-worm leads are all waiting to be unleashed from inside this classic beast. The MS-20 is not only a great sounding instrument, but a great learning-synth. It is fairly easy and intuitive to operate but in doing so you can learn and understand more about synthesis and signal-flow. It is used by William Ørbit, Aphex Twin, Hardfloor, Air, SkyLab, Stereolab, Vince Clarke, Astral Projection, Biosphere, Apollo 440, Mr. Oizo, Jimi Tenor, The Prodigy, OMD, Freddy Fresh, Luke Vibert, Einstuerzende Neubauten, Add N to (X), Daft Punk, Coldcut, Die Krupps, Skinny Puppy, Electronic Dream Planet, Jimmy Edgar, Front 242, Front Line Assembly, The Legendary Pink Dots, KMFDM, Severed Heads, Royksopp, The Faint, The Shamen, Jean-Michel Jarre, and Portishead.

FOUR VOICE / Oberheim



A big step forward after the initial Oberheim SEM and Two Voice synthesizers came from the bigger and better Four Voice. Four dual-oscillator SEM modules each with its own filters and envelopes are joined together along with a simple analog mixer and 49-note keyboard to give you a polyphonic/polytonal Obie-beast!

Unfortunately the Four Voice was blown out of the competition by the release of the polyphonic Sequential Prophet-5, which offered true polyphony with a single set of sound shaping controls and comprehensive patch memory. The Four Voice has been used by 808 State, Depeche Mode, Latinsizer, Styx, The Shamen, Gary Wright, Joe Zawinul and John Carpenter.